Monday, December 24, 2012

Final Sessions New York 1963

Final Sessions New York 1963 Review


One of the most important and influential figures on the post war blues scene, singer, guitarist and songwriter Elmore James was the unchallenged king of the electric slide guitar, updating the legacy of the country blues to post-war Chicago. His music, and particularly his guitar playing, has been a major source of inspiration for countless blues and rock musicians over the years. Eric Clapton, Duane Allman and Jimi Hendrix are just a few of the rock legends who have acknowledged his influence. This collection includes every complete master he recorded at his last 2 sessions for Bobby Robinson's Fire/Fury Label in New York City in February 1963, just 3 months before his untimely death from a heart attack at the age of 45. Packaged in a digipak. Charly. Read more...


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Friday, December 14, 2012

Tribute To Elmore

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Sunday, December 9, 2012

All Time Greatest Blues Songs

All Time Greatest Blues Songs Review


This three CD collection brings together some of the most famous Blues artists performing 42 of the greatest Blues songs ever. Includes performances from John Lee Hooker, Muddy Waters, Robert Johnson, Elmore James, T-Bone Walker, Howlin Wolf, Lighting Slim, B.B. King, Little Walter, Junior Wells, Canned Heat, Buddy Guy, Slim Harpo, Bessie Smith, Leadbelly, Memphis Slim, Big Joe Williams, and Big Bill Broonzy. Read more...


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Friday, December 7, 2012

Best Of: Rollin & Tumblin

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Monday, December 3, 2012

Elmore D. Band

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Friday, November 30, 2012

Situation Out of Control

Situation Out of Control Review


eclectic hard rock grounded in country, punk, folk and blues Read more...


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The Stone Coyotes might be a rock band, but that doesn't mean they slip neatly into a stereotype. Barbara Keith's songs are influenced by folk music ("Where the Old Oak Grows," "If You See the One") and gospel ("Bone Tired") as much by Led Zeppelin or any classic-rock sound. She's a powerful singer, too, and as a guitarist she can flurry notes with the best of them, although she generally chooses not to, making her solos short and very incisive. For a three-piece, there's a remarkably full sound, with much kudos to the Tibbles father and son rhythm section, solid as a rock but subtle so you sense them without being overwhelmed. This is a band that's confident of its own identity--their cover of Donovan's "Season of the Witch" makes it sound like an original, and they're not afraid to embrace some neopunk on the live closer, "Saw You at the Hop." These coyotes howl. --Chris Nickson

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Sunday, November 25, 2012

Rollin' & Tumblin'

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